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British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 2 – April 2016

David Lewis, Library Light (dithered detail).
EDITORIAL
Editorial
By British Art Studies Editorial Group
ARTICLE
Changing Subjects: The Gallery at Cleveland House and the Highland Clearances
By Anne Nellis Richter
CONVERSATION PIECE
Still Invisible?
Convened by Patricia de Montfort Robyne Erica Calvert
ARTICLE
Canaletto’s Colour: The inspiration and implications of changing grounds, pigments and paint application in the artist’s English period
By Roxane Sperber Jens Stenger
ARTICLE
High Art and High Stakes: The 3rd Duke of Dorset’s Gamble on Reynolds
By John Chu
LOOK FIRST
Looking for “the Longitude”
Convened by Katy Barrett
ARTICLE
Carnation, Lily, Lily, Rose and the process of painting
By Rebecca Hellen Elaine Kilmurray
ARTICLE
Conversations and Chimneypieces: The imagery of the hearth in eighteenth-century English family portraiture
By Matthew Craske
ONE OBJECT
John Singleton Copley and the World of Prints
Conversation between Jules Prown Mark Hallett
LOOK FIRST
Yale Center for British Art
By David Lewis